To Touch the Earth

When I first completed this painting last year, I titled it “Under the Bodhi Tree” which isn’t bad…but it didn’t feel like the name or completely recognize the actual theme of the painting.

That title does a great job of representing the broader location of the story, but a lot of things happened under that famous tree.

Most of them involved other ways Gautama Siddhartha (aka Gotama, Shakyamuni, Sakkamuni) pursued enlightenment until he finally found success simply by sitting and observing his breathing as he describes in the first discourse.

This painting on the other hand symbolizes the moment that Gautama defeats Mara and becomes the Buddha.

To Touch the Earth. aka Under the Bodhi Tree
To Touch the Earth

It is taught that after Gautama attained enlightenment, Mara challenged him, declaring that he too was enlightened and should be the Buddha. To show that Gautama could be shaken, Mara sent all forms of attacks and temptations to bring Him back into attachment and suffering. Finally Mara even sent their three beautiful daughters (known as Desire, Aversion, and Passion) to tempt Him.

Gautama Siddhartha reached out his right hand and with a single finger touched the Earth, and the Earth Mother herself acknowledged His imperturbable nature by lighting the Morning Star and Gautama became the Buddha.

The painting itself is Gouache on 18×24 Watercolor paper. 140 lb. It is not in print, but the original is available to the right owner.

Cernunnos Resting

Todays image is another more doodle type drawing.

I may do it again as a straight pen and ink, but the title is “Cernunnos Resting”, and is a portrait of the Green Man just after making his rounds to fertilize the forests.

The Horned God is depicted sitting under a tree holding his Torc in his right hand and a snake with Rams horns in his left. He is flaccid, not for impotence, but to symbolize this being after the great fertilization of spring. He is surrounded by a rat, rabbit, deer, bull, and wolf. All in them selves symbols of nature, strength and fertility.

Cernunnos Resting

The drawing was done with fine-liners and colored with markers. More important than the art itself in this case is that we don’t lose this symbolism (which anyone familiar with Celtic history/ruins will recognize from cave art and ancient European artifacts).

It is a reminder that Europe too had nature based religions that kept us in touch with the cycles of the earth before Rome and the Catholic Church eradicated them just like every other culture touched by them.

I don’t pretend to know the truth about what Gods there are, and how they rank and whatnot, but I have no doubt that humans and their relationship with the planet earth (and each other) will dramatically improve if we get back into rhythm with its life cycles and patterns.

Divine Mercy

Todays posting is fresh off the drawing desk.

“Divine Mercy” is a pen a ink drawing done with a good old fashioned fine liner sharpie, well two of them, on a 12×18 piece of 300 lb watercolor paper.

Divine Mercy
Divine Mercy

The inspiration and original planning for this image stemmed from some digital based art practice where I was playing with shadows from fire. That practice drawing never got finished.

Then in recent history, the Supreme Court of the United States overturned Roe V Wade and my home state (Indiana) really stretched to become the Capital of Gilead by being first to enact (as a new law-not a trigger law) a near total ban on abortion.

So I ended up putting ink to paper to call ducks, ducks.

Early String Theory

This is a drawing I did a couple years ago with brush pens and fine points.

The title “Early String Theory” is a play on the modern movement in physics with the much older theory that three seamstress goddesses controlled the fate of man.

For those not familiar with these ladies, they are Clotho (“spinner”), Lachesis (“allotter”) and Atropos (“the unturnable”) and collectively they are known as the Three Fates (aka the Moirai). Clotho spinning your life, Lachesis measuring it, and Atropos cutting it off.

Early String Theory
Early String Theory

Buddhist Hell

When one thinks of Buddhism, the thought is usually one of peaceful serenity, unless they are fans of kung fu theatre or are following some of the more violent uprisings in SE Asia currently.

What one does not usually think of is a concept of hell. Well, just like most other major religions, Buddhism has a concept of hell. Several actually, but the one todays art piece entertains a specific one. The Realm of Hungry Ghosts.

For those unfamiliar with Buddhist lore. A Hungry Ghost is basically someone who is a slave to their desires, aversions, and/or passions. More specifically it is described as both a form of reincarnation and a realm where one is constantly haunted by those sufferings until they free themselves of them by practice of the eightfold path.

The inspiration for this piece came from a Japanese interpretation of this, which was named Gaki Zoshi (Hungry Ghosts). It is a very old scroll and you can find images from it all over the internets.

I did the piece as an Inktober project in 2021, and being pen and ink it took the entire month.

“The Realm of Hungry Ghosts” 18×24 pen and ink (fineliner) on Watercolor paper.

This pen and ink piece is originally 18×24 on watercolor paper and prints are available through Fine Art America here.

Yin Yang

Today I am going to share two separate gouache paintings I have recently done.

They are also Buddhist and Japanese history pieces.

The first features Toyotomi Hideyoshi; samurai, daimyo, Shogun and second great unifier of Japan. The image is from early in his rise to power.

It is said that he greatly desired to have tea at the famous tea house of Sen no Rikyu, who was also known to have one of the most beautiful morning glory gardens in all of Japan.

At first Rikyu had rebuffed him. But knowing the samurai was growing impatient, Rikyu decided to have him.

Before the day of their tea, Rikyu dug up all of his magnolia gardens and selected only one. Placing it in a simple bamboo vase in the tea room.

When Hideyoshi arrived, he was enraged that the gardens were gone. He stomped into the tea house, and was stopped cold.

The single morning glory was perfect, and upon seeing it Hideyoshi saw Rikyu’s mind clearly and went on to become one of the great Shoguns in Japans history.

It is titled “Rikyu’s Morning Glory”

Rikyu’s Morning Glory 18×24 Gouache

The second image is of Sen no Rikyu. He is the great tea master modern tea ceremony is based upon. He served two Shoguns as tea master and was of such great stature that he could have audience with anyone in Japan when he was alive.

The image is of him committing Seppuku on Hideyoshi’s order.

The reason is lost to history, but every version of it I have seen guessed at has been the result of ego and petty jealousy.

Hideyoshi’s Gratitude 18×24 Gouache

I am not sure how I managed to save those images at different sizes, but it is of little concern. What is important is that they are available in a couple of print sizes in my Fine Art America store. Rikyu’s Morning Glory here and Hideyoshi’s Gratitude here.

Yin Yang set of “Rikyu’s Morning Glory” and “Hideyoshi’s Gratitude”

Visual Koans

One of the things I like to draw, is a focus on another. That other being world religions. The focus being Buddhist art, more specifically Zen Buddhist art. It is especially true when I can do pieces based on Japanese Zen Buddhist art. Doing it in a Ukiyo-E drawing style just makes a well iced cake.

The image I am sharing today is all of that.

It is also an entirely stolen concept.

I did do Josetsu the honor of not attempting to redo his painting the way he did it. Further more, I didn’t do it in the same style.

I merely stole his Koan.

For the uninitiated, a Koan is a form of riddle in Zen Buddhism that is supposed to stimulate the potential for enlightenment when meditated upon.

This one in particular is called “Catching catfish with a gourd”, and was Josetsu’s original  suiboku  (basically Sumi) Painting was done C. 1415 .

The painting depicts a man standing by a creek and attempting to cat a catfish with a gourd (as the title suggests).

I won’t post the original image, as I do not wish to be shamed by the comparison. However, here is my original painting.

Catching a Catfish with a Gourd

In the 18×24 gouache painting the gourd represents our mind and the catfish represents enlightenment. The gourd being used for something it is clearly not suitable for. The clear implication being that our minds are not suitable for attaining enlightenment, and that it is not something that can be gained through thought.

It is certainly an idea worth tossing around in your head while trying not to think too much on anything in particular… at least until you figure out to just let go and breathe.

If you would like to own a print of this piece, it is available HERE. The original is not currently available for sale, but it will be once I complete the larger project it is part of. If you would like to be considered when it is, send me a message.

“Catching a Catfish with a Gourd” print.

Jesus Malverde

As I mentioned before I am fascinated by religion and other cultures.

The tee shirt design I am going to talk about today is legendary on both those fronts.

Jesus Malverde is a historical figure from Sinaloa Mexico born Jan 15, 1870. He was a bit of a Robin Hood character, that literally stole from the rich to give to the poor. That said, like most historical Robin Hoods, there is no evidence he ever lived, and was more likely an amalgamation of a couple other outlaws from the period and locale.

Mexico being very Catholic, very superstitious, and just as prone to making Saints of their heroes of course made him the patron saint of outlaws.

Because he was from Sinaloa, which of course is famous for its drug smuggling cartels, Mr. Malverde (also known as Jesús Juarez Mazo, Cjuba Lord, or the Angel of the Poor) was soon adopted by the smugglers and is widely regarded as the Narco-Saint.

That image is what drove the creation of my design…

Jesus Malverde TShirt.

On this shirt, Jesus Malverde is surrounded by a saints halo that is decorated with opium poppies, a laurel of marijuana flowers and leaves, and crossed sprigs of the coca bush.

You definitely want to go to my Tee Public store (Madman Designs) to buy it.

Please don’t wear at border crossings, on planes, or when travelling along what the police think are drug corridors unless you just want to be harassed by the authorities. Then again, do what you want… but be aware of the risks.

Another direction in my art.

The next piece I am going to talk about is the one that caused me to rethink selling my artwork.

For years I have had people telling me I should sell some prints, and I have had multiple requests to buy paintings. Since the images I create are primarily about me processing mental hardship or exorcising images from my brain, the idea never really resonated with me.

I want to draw just to draw. Besides, like most creatives I am self critical and don’t think my work is “worthy” of sale. Which is nonsense for all of us. The worst piece of art has more value than any symbol of financial wealth. Self expression may be the only thing humans do that is worthwhile.

Anyway, a while back I decided it was good enough to make some t-shirt designs….if nothing else so I could have tee shirts with stuff I wanted on them. So I made my tee public store Madman Designs.

That experience was enough to get me over the basic hump…and playing with it for a while convinced me I could do this without turning it into a job. Which is still true, so far.

Then I was talking to one of my working artist friends about a large project I want to do, and talking about the ‘how to’ of taking it on. He gave me a lot of good advice during that conversation, and part of that advice was that with my drawing style, gouache may be a good medium for me. This was especially true since gouache has unique finish that is well suited to that project.

I had never even heard of gouache, but valuing his judgement I looked into it and became interested in trying it.

So I decided to do a painting in the style of the larger project with gouache.

That painting is…

Imperturbable

Imperturbable is my attempt to mimic the style of Ukiyo-E wood block prints.

This one in particular is of a Buddhist monk, holding the jewel of enlightenment in meditation and being unfazed by the storms of life, represented by a red dragon swirling around him. Important symbolism in this image is the fact that the dragon is looking past him, as for all the chaos he creates, the dragon has no ill intent towards the monk, the two simply exist in the same space.

All thoughts worthy of spending time thinking about, in my opinion.

I intend to do many more pieces in this style, and I hope that all of them capture my vision as well as this one did.

The original of this is an 18×24 gouache painting on 300 g watercolor paper, and is for sale for $350 plus shipping for whatever method we settle on.

If you would like a print of “Imperturbable”, it is available HERE.

Imperturbable prints in 5×7, 8×10, and 13×19

It is very fitting that this was the first print I have ever sold as this work is personally representative of a new beginning for me in more than ‘just’ art.

A Bacchanalia

The drawing I am posting about today is a true pen and ink, done as a full on black and white.

This is a style that I struggle with, but have always wanted to improve at (more than I was willing to work at it or I would have haha).

It also harkens back to my love of comic strips and especially the drawings of R Crumb whom I was trying really hard to channel while drawing this.

This drawing also dives head first into my exploration of old religions (a constant theme in my art), paganism, and everyone’s favorite, Pan.

It doesn’t matter if you call him Pan, Cernunnos, the Green Man, the Horned God, or Lord of the Wilds; he was of great importance to European culture before the Rise of Rome and then Christianity which of course destroyed and rooted out that culture like it has every other one it has encountered.

At any rate historical geopolitics and religious wars aside, Pan makes an interesting subject, especially when drawing in a woodland bacchanalia with a bunch of naked nymphs dancing around him.

Pans Dance

The original of this piece belongs to a dear friend of mine and is not for sale.

You can get a high quality print of this work HERE

Pan’s Dance print in 5×7 or 8×10